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June 2006
VOCAL LIFE AND GROWTH Choose Personal Responsibility


March 2006
Five Most Frequently Asked Questions - Part 5 of 5


November 2005
Five Most Frequently Asked Questions - Part 4 of 5


October 2005
Five Most Frequently Asked Questions - Part 3 of 5


September 2005
Five Most Frequently Asked Questions - Part 2 of 5


August 2005
Five Most Frequently Asked Questions - Part 1 of 5


Spring 2005
Managing All My Air


January 2005
The Inner Voice


November 2004
BREATHING


October 2004
KINESTHESIA AND THE VOICE


Article #2 – FAQ – Can You Help Me Achieve a BIGGER SOUND??!!
Part 2 of 5

The key to making your voice heard is the same thing that makes your sound uniquely your own - your resonators. You can't change their shape and size but you can learn to make use of all the space you have been given. More sound does not mean that you work harder at singing. In fact, I believe that the opposite is true. You can maximize your sound if you involve fewer muscles and more air. Resonance is a phenomenon that responds to air rather than muscles. The relaxation of the instrument and the sensation of openness will do more for enhancing your sound than any muscular involvement. The brain directs the sound and the air carries it through the path to your resonating areas.

The resonating spaces are: the space above your larynx to the back of your mouth, the back of your mouth, your mouth and the sinus cavities and nasal passages. Most people think of the mouth and laryngeal area as the vocal tract. Within that same space there are inhibitors to the sound, things that either take up space or alter the size and shape of the tract. Those would be the muscles of articulation and the muscles that cause the throat to open or constrict: the tongue, lips, soft palate and yawning muscles. Enhancing resonance is allowing those areas to stay relaxed and open, moving only when absolutely necessary.

Exploring your own ability to resonate can be one of the most gratifying and enjoyable experiences in vocal development. It can also be one of the most frustrating. There are sensations of resonance that tell you some of the areas have been activated. You can also look in the mirror and check whether your jaw is relaxed and your tongue is in a neutral position (lying on the bottom of your mouth with the tip touching the back of your bottom teeth.) When it's right, when you are singing correctly and fully resonated in the "ring" spot, there is very little physical sensation. In fact, my personal experience was - I didn't think it could be right because I wasn't working hard enough!

By the laws of physics, low pitches resonate in the space from the top of the larynx to the back of the mouth, mid range pitches in the mouth and back of the mouth. High pitches are left to resonate in the masque (nasal passages and sinus cavities). It is my belief that these areas should remain open at all times allowing the sound to use all resonators regardless of the pitch, therefore allowing high pitches to have depth and low pitches to have ping.

While it is possible to enhance your sound by your own private exploration of your resonating spaces, it is more efficient to work with a coach or teacher. Exploring on you own can be fun but a guided tour is much more informative.

Remember:
1. Relax and let it happen.
2. Muscles don't resonate, space does.
3. When you are singing resonantly, you hear less sound inside your head.
4. Persistence pays off.
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By:
Darlene Rogers


 

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