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June 2006
VOCAL LIFE AND GROWTH Choose Personal Responsibility


March 2006
Five Most Frequently Asked Questions - Part 5 of 5


November 2005
Five Most Frequently Asked Questions - Part 4 of 5


October 2005
Five Most Frequently Asked Questions - Part 3 of 5


September 2005
Five Most Frequently Asked Questions - Part 2 of 5


August 2005
Five Most Frequently Asked Questions - Part 1 of 5


Spring 2005
Managing All My Air


January 2005
The Inner Voice


November 2004
BREATHING


October 2004
KINESTHESIA AND THE VOICE


The Inner Voice,
The Making of a Singer


I received a copy of this book as a gift for Christmas from one of my private voice students. It was a captivating book and the description I found on the inside fly cover of the book is not exaggerated.

“One of the most celebrated talents on today’s music scene, soprano Renee Fleming brings a consummately beautiful voice, striking interpretive talents, and compelling artistry to bear on performances that have captivated audiences in opera houses and recital halls throughout the world. In The Inner Voice–a book that is the story of her artistic development and the “autobiography” of her voice–this great performer offers a unique and privileged look at the making of a singer.

The Inner Voice traces Renee Fleming’s path to maturity and success as an artist, from her youth as the child of two singing teachers through her years at Julliard, from her struggles to establish her career to her international success. Her articulate and candid book is the most revelatory examination yet of a performing life, of the crucial roles played by a solid education and supportive mentors, of the importance of discipline and a well established technique, of confronting the challenges of stress and self doubt, of the myriad details that must be mastered in creating a vivid operatic character or interpreting a song, of the practical necessity of having a firm understanding of how business functions, and of learning to balance personal and professional fulfilment.”

Renee Fleming gave personal insights about the various stages of her vocal development and the epiphanies she experienced to enable her to continue to improve. These moments did not come from earthshaking events but from moments when that “inner voice” of understanding illumined the next area of improvement.

I found the book affirming as a “voice teacher/vocal coach” who is constantly telling students that vocal change and vocal growth is a slow process and sometimes the biggest changes come from an attitude adjustment by the singer. Renee shared her journey toward the revelation that technical perfection often produces a sterile performance. NO matter what your level of accomplishment, while working continuously to improve technique, it is necessary to learn to share your joy and develop your skills as a performer.

I hope that you will pick up a copy of this fine book (we don’t get a kick back.) You may not find the same things in it that I found. Your “take” on it will be based on your own experience and the needs expressed by your “inner voice.” That doesn’t make one wrong and the other right. It makes us different. The same is true for singers–every voice is unique and each singer’s experiences help her develop a personal style and a unique quality. That development is enhanced by the time the singer spends exploring vocally and listening to the messages of her own “inner voice.”

By:
Darlene Rogers


 

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